#Youtunes marilyn horn tv
Until that point, she had worked as a background singer for several TV sitcoms, as well as recorded covers of popular songs of the early 1950s.
#Youtunes marilyn horn professional
Horne's first major professional engagement was in 1954, when she dubbed the singing voice of Dorothy Dandridge in the film Carmen Jones. She studied voice under William Vennard at the University of Southern California and participated in Lotte Lehmann's vocal masterclasses. Horne was born in Bradford, Pennsylvania, but moved with her parents to Long Beach, California when she was 11. January 16, 1934, Bradford, Pennsylvania, United States) is a mezzo-soprano who is particularly associated with the music of Rossini and Handel. The Marilyn Horne Archives - the Italian unofficial siteĬelebrity Astrology: Marilyn Horne (astrology.Marilyn Horne (b. Recordings of Bach Cantatas & Other Vocal WorksīWV 199 Selections from BWV 243, BWV 244, BWV 248, BWV 508 The last time she performed classical music was on January 16, 2000, at the Marilyn Horne Foundation concert at Carnegie Hall. Ms Horne's last solo classical recital was on November 28, 1999, at the Chicago Symphony Center. Today, Marilyn Horne works as the Vocal Program Director at the Music Academy of the West in Santa Barbara and has also set up The Marilyn Horne Foundation, which helps to support young singers. She has been singing for over 40 years and her contributions to the opera world live on in her numerous recordings, among which is Meyerbeer's Le Prophète, a role she was also well known for. She is, without a doubt, one of the greatest mezzo-sopranos in opera history and is probably the greatest Rossini interpreter ever. Marilyn Horne has been called "probably the greatest singer in the world" (Opera News, 1981). In 1984, she brought George Frideric Handel's Rinaldo to the Met, the first G.F. She sang many more times at the Met, and opened the 1972-1973 season as Carmen on September 19, 1972. Her Metropolitan Opera debut was as Adalgisa opposite Joan Sutherland's Norma in Bellini's Norma. Her La Scala debut was as Jocasta in Igor Stravinsky's Oedipus Rex on March 13, 1969. She made her Covent Garden debut was in October of 1964 as Marie in Wozzeck. Now that she was an international star, Marilyn began performing regularly in the world's great opera houses. In 1969, Horne teamed up with Joan Sutherland again when she performed the role of Zerlina in Don Giovanni with the English Chamber Orchestra. Marilyn performed Agnese opposite Sutherland in a Town Hall concert version of Bellini's Beatrice di Tenda in February 1961. It was soon after the San Francisco Wozzeck that Marilyn made her first appearance with Joan Sutherland. As a replacement, they hired a new Spanish soprano named Montserrat Caballé, who thrilled the New York audience and became a star overnight. The couple divorced in October of 1974.īecause of her pregnancy, Marilyn was forced to withdraw from a performance of Donizetti's Lucrezia Borgia for the American Opera Society in New York City. Their only child, Angela, was born on June 14, 1965. On July 1, 1960, Marilyn married conductor Henry Lewis. Brenda Lewis, engaged to sing Marie in San Francisco, was ill and Marilyn left Gelsenkirchen to perform the role. She received rave reviews and Marie, a role she had not wanted to perform, became her ticket back to the USA. Her first great career success occured at the inauguration of Gelsenkirchen's new opera house on as Marie in Alban Berg's Wozzeck. She remained on its roster until 1960, appearing in many of the company's productions as a soprano, singing such roles as Mimi in La Bohème, Giulietta in The Tales of Hoffmann, Minnie, Fulvia in Ezio, and Amelia in Simon Boccanegra. She travelled to Gelsenkirchen, Germany and in 1957 joined the Gelsenkirchen Opera Company. When her father died, Marilyn travelled to Europe in the hopes of furthering her career. That summer, she sang the voice of Carmen Jones in Oscar Hammerstein's re-creation of Georges Bizet's Carmen. Marilyn made her operatic debut at the age of twenty in the role of Hata in Smetana's The Bartered Bride for the Los Angeles Guild Opera in the fall of 1954. She also attended Lotte Lehmann’s master classes.
She studied with William Vennard at the niversity of Southern California in Los Angeles.
He encouraged his daughter to persue her musical dreams and she did just that.
The outstanding American mezzo-soprano Marilyn (Benice) Horne’s father was a strong musical influence in her life right up until his death in July of 1956.
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